The B-Side of “Ozymandias”

Shelley’s close friend wrote his own version of the famous poem — and it might be even better

Clive Thompson

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“Younger Memnon Statue of Ramesses II from Thebes”, by Nate Loper (CC 2.0 license, unmodified)

“Ozymandias” has been called “the most metal poem ever”, and I can find no way to disagree.

It’s a magnificent riff on the vanity of extreme ambition, and how quickly humanity’s brief accomplishments are destroyed by the march of time.

You’ve probably already read the poem; it’s the most famous of Percy Bysse Shelley’s works. But just in case you haven’t seen it recently, here it is in full …

I met a traveller from an antique land,
 Who said — “Two vast and trunkless legs of stone
 Stand in the desert. . . . Near them, on the sand,
 Half sunk a shattered visage lies, whose frown,
 And wrinkled lip, and sneer of cold command,
 Tell that its sculptor well those passions read
 Which yet survive, stamped on these lifeless things,
 The hand that mocked them, and the heart that fed;
 And on the pedestal, these words appear:
 My name is Ozymandias, King of Kings;
 Look on my Works, ye Might

Quite the gut punch, those final lines, eh?

A vegetarian, feminist, atheist and socialist, Shelley was often a fiercely political writer. He loathed the cruelties of the powerful, whether religious or governmental; you can read his longer “The Mask of Anarchy” if you want to hear him rage with operatic fire against the church and state. But I think “Ozymandias”, with its sheer brevity and cool-handed tone, is an even fitter riposte to the bombast and savagery of tyrants. Nothing beside remains.

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Clive Thompson
Clive Thompson

Written by Clive Thompson

I write 2X a week on tech, science, culture — and how those collide. Writer at NYT mag/Wired; author, “Coders”. @clive@saturation.social clive@clivethompson.net